Distribution Automatique

Friday, February 22

Gary (Sullivan) and Nada (Gordon)

stopped by yesterday to watch the debate between Hillary Clinton and Barack Obama with us. As you know, if you read Nada's blog, she enthusiastically supports Hillary. The debate was ok, Toni's pasta dinner was great, and Gary and Nada were as much fun as ever. What is truly exciting is that Gary gave me an early printing of his book of plays *PPL In A Depot* coming out very soon from Roof Books, two of which were published in OCHO 14 which I guest edited with much help from Toni, who did the cover. Speaking of covers, this one is awesome, a tracing from some wall graffiti which Gary had photographed. Mac Wellman wrote of these plays: "Gary Sullivan's PPL in a Depot is a collection of pataphysical dramas- each a delight to read, and presumably to watch- if from a safe distance. A gleeful and slightly spavined collection of fast-moving and un-pindownable plays in a nastily wicked vein. They could be called poetic, but the author whould probably prefer to be shot than thought poetic. How can you not love a play called 'Written in Styrofoam'?"

God, I love these plays. They will make you think and laugh at the same time, or will teach you how.


Heather O'Neill's *lullabies for little criminals*, Harper 2006

What *David Copperfield* was for the 19th Century and *The Catcher in the Rye* for the 20th, *lullabies for little criminals* could or should be for the 21st.This is childhood painted against a black sky, where a fat full moon glares at you grumpily or shimmers its silver smiles and falling stars lift, then break your heart.

Heather O'Neill's story *The End of Pinky* in The Walrus

Heather O"Neill profile in Quill and Quire


Kathleen Mock Rides Again

If you are a subway commuter in New York there is little doubt that you have more than once stopped to listen, with pleasurable surprise, to Kathleen Mock's lovely, vibrant voice wending its way between the roars of trains entering and leaving the station. It was quite some time ago that I first chatted with her and bought a CD. To my delight I heard her again playing yesterday at the 96th Street station on the #3 train. This time I bought another CD of hers, which she told me consists of songs written in her 20s. She loves singing on the subway now as much as she did when she started 18 years ago. Kathleen Mock website, including NPR interview, here: Kathleen Mock